The Glass Gallery album rethinks architecture through music, video mapping, and visual abstraction, transforming performance into a spatial dialogue.

Through a distinct visual language, Isabella Salas integrates low-definition space photography and live feeds from the International Space Station, embracing grain, noise, and the spectral imprints of early celestial imaging. These textures disrupt the hyper-polished aesthetic of contemporary digital visuals, instead echoing the atmospheric fragility of Schofield’s soundscapes. Light and shadow interact in real time, dissolving the boundary between sound, image, and architecture.

2021_ Centre Phi (Antenna)