SELECTED EXHIBITS AND LIVE PERFORMANCES at :
Société des Arts et Technologies (CA)
Mutek (CA)
Polaris Music Awards (CA)
Sporobole Gallery (CA)
TOPO (CA)
Ravensburg University (UK)
TransArt Festival (IT)
Fundacion Leona Vicario (MX)
Voltaje Festival (CO)
Maison de la Culture Claude Léveillée (CA)
Reef Festival (HON)
+ more
Originally from Mexico City and based in Tiohtiàke/Montreal, Isabella Salas work melds expanded cinema, performance, and applied technology in her artistic process.
Her preferred formats pans across large-scale audiovisual production, immersive media, and digital arts, transforming scientific, ecological, and socio-political narratives into sensorial experiences.
Salas’ purpose is to critically engage with how technology mediates memory, perception, and collective experience.
She also co-founded the International Digital Arts Alliance (IDAA), an initiative focused on the education, documentation, and preservation of digital art and intangible cultural heritage. IDAA’s research spans documentation methodologies, global networking for digital artists, and strategies for the long-term preservation of new media works, ensuring the sustainability of digital art as a critical cultural practice.
Holding a bachelor’s degree from the Mel Hoppenheim School of Cinema, Salas has dedicated over a decade to independent research in digital media, AI, and ethics.
Through her work with leading cultural institutions, festivals, and academic networks, she continues to redefine the role of digital production in shaping contemporary art, technology, and future-driven media ecologies.
CV available upon request.