And I Have Come Upon This Place By Lost Ways | Group exhibition, Karsh-Masson Gallery, [CA]
A######### I########### | Chantier IA Exhibition, SPOROBOLE [CA]
Sympoeitic Reveries |Group Art Exhibit, Voltaje Festival [CO]
[De]stabilizing diffusions | Group Art Exhibition, Milieux Institute, Concordia University [CA]
BILIA: 1st LATAM biennale for artificial intelligence art | Group Art Exhibition, Leona Vicario Foundation [MX]
Small Flower BIts | Live visual Performance, REEF FESTIVAL. Projection on ocean surface [HON]
Résonances du Réel | Group Art Exhibit, Maison de Culture Claude Léveillée [CA]
Into the Unknown / Dans l'inconnu | Group Art Exhibit, Centre d’art Never Apart [CA]
Neologias Artificiales | Group Art Exhibit, CUNA [MX]
Uno, Nessuno, Centomila | Group Art Exhibit, Electric Artifacts [UK]
Suddenly: Hommage to Caribou |Polaris Music Awards [CA]
Transfiguraciones | Performance with hexorcismos, TransArt Festival, Bolzano [IT]
+ more
Isabella Salas is an artist, producer, and interdisciplinary practitioner working at the intersection of creative technology, experiential culture, and research-driven artistic practice. Guided by a philosophy of care, she approaches technology and collaboration as relational processes shaped by attention, ethics, and collective imagination. Her work moves fluidly between artistic creation, large-scale production, and international cultural exchange, cultivating environments where narratives, communities, and emerging technologies evolve together with intention.
With over two decades of experience across performance, visual arts, and immersive media, Salas brings together conceptual sensitivity and structural awareness. Her practice explores how artistic processes can hold space for dialogue and cultural reflection, allowing technological systems to remain responsive to human and ecological contexts.
As a producer, her work often involves directing complex creative processes that bring together artists, technologists, and researchers across disciplines. She has contributed to major interdisciplinary productions including the Opening Ceremony of the 2015 Toronto Pan American Games, Another Brick in the Wall – The Opera, and UAQUE, a contemporary dance work integrating imagery by Edward Burtynsky with the National Arts Orchestra and choreography by Andrea Peña.
Alongside her artistic work, Salas contributes to public discourse through symposia, mentorship, and cross-cultural collaborations exploring AI, experiential culture, and future imaginaries. She engages technology as a living cultural language capable of fostering dialogue, attentiveness, and new forms of collective meaning.